Momentum

Opposite my window lurks the gaunt, grey shadow of the old people’s home. I look straight into their dining room, lit almost every hour with dim, soothing lights. The glint of ready cutlery. There is one woman in particular who sits out in the garden when she can, and always on the second-floor balcony at three. She wears a white dress and has beautifully styled hair the same bleached linen colour. The White Woman. Last time she was sitting out there she had a birthday balloon tied to her chair. My neighbour and I were going to take some roses around, but we got drunk in the afternoon and forgot.

I feel like pounding my fist against the door with a question – what the hell happened to me over the last few years? Too much solitude, the keyhole whispers. That long, dark brain of yours ate the silence and then it ate you. I ended up hating this pretty town; endless rainy pavements mocking every step, the ocean’s whisper sultry and lethal: ‘Come away, come away with me.’ I was most happy – back to the question of happiness – on a little boat, surging out to a jagged full stop of an Irish island, salt-fresh, lungs expanding. The sensation of movement (this is also why I adore trains). I clung on to some railings with the flute strapped to my back in case we sank and smoked cigarettes with a cable-knit man, so massive his shoulders took out the last view of the vanishing mountains. That was happiness, simply moving forward in no-place, no-time. A speck of flesh with momentum. The sea is so hungry and deathly and uncaring and obsessed with its own momentum too. I didn’t rate my chances if we flunked it, smooth as it was that day. The sun beating it into diamonds in a second when earth takes a million years to be so intensified.

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The Glass Boat, 2009

And then I was back, heavy again. Back into the world of execs quibbling over cab fare, back into the world of birds that sing only when the traffic dims down its white-noise mechanical hum at the close of day, or the opening of it. Back to the world of the communal (yet also of the solitary and desolate, as without action the relationship between you and the other lives stacked up above and around and below would remain passive and insensate). It’s too peculiar. I can feel the splinters of other lives in the walls working into the skin of my own, getting under the cells and itching there, like a piano being played atonal in the next room.

I said once to him that other people’s lives picked me out like torchlight; a beam slung under a canal at midnight, and all you can see are skeletal shopping trolleys and the dark, rainbow obsidian gleam of dirty water. Toads, reeds like green razors. Broken radios that have stopped talking about stranglings in basement flats and other unfortunate things that end always, always, in boxes being lowered into the exhausted ground. One of the windows opposite has been dark for a while, a tiny postage stamp of black. There is no wheelchair patiently parked on the balcony at three. I don’t think the White Woman is coming back.

Vampire Hunting in Paris

There are places in this world which split you open, in awe, joy or sorrow; gardens, ruins, stone circles. There are cities that cleave you like a ripe fig; alive and all millipede feet and heavy breathing. They are aware.

Paris is such a city for me. A great leopard with filthy paws, Paris unpacks my loneliness with my shirts and shakes it out.

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I couldn’t tell you why. It might be the long streets tapping with the ghosts of a million famous footsteps, making me long for the past, a trick of nostalgic light. It might be the solitude, having no one to share the breath of this city. It might be the swarming crowds; each citizen an arrowhead, focused, determined. I merely wander cluelessly from my moorings.

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The romantic in me can’t have it both ways; I love the solitude, the melancholy. Watching the moon rise over the Seine, I know the glimmering perfection of the moment would be lessened for me if someone were to run up, laughing, and clasp my hand (Really? Are you lying?). My most profound and bittersweet moments are only experienced alone. The city winks back at me from silver-plated water. She understands. She embraces suffering like a martyr, a mistress of mansions and garrets.

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I am fortunate enough to catch Vespers in Notre Dame, the call and answer of prayerful melody; a vast aviary of devoted birds. There is one woman close to the altar, decked in blue and white like the Virgin. She raises her hands in ecstasy when she sings, she is transported beyond her body, her hands full of stained glass light.

I wonder at her life when the music stops. I wonder if carrying such a faith, she is ever lonely, too.

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I walk slowly through the streets back to the hotel. My train leaves for the South in the morning, there’s no point ghost-hunting my heart in this place with one turn of the clock left. I need more time! Paris lets me know she will be here when I need her, she sends a gentle rain to freckle the long avenues. The smell of wet pavement rises, mingles with the frankincense still tangled in my hair; they say when a holy scent follows a prayer, then that prayer is heard.

No Space for Wild Girls

I never stop marvelling at our changing world.

When I was young, and could have sailed away on the sheer volume of my tears as I looked for somewhere I belonged, the world made sure I was buried alive; pushed down to explore fierce underworlds illuminated only by rock quartz and fireflies. Spittle on the bus and fractured fingers, and later, blister packs full of soothing syllables to keep the lid on a boiling girl. These were the days of dial-up AOL taking wobbling steps toward the future; of plastic barbed wire bracelets and grimacing around smeared cherry lip gloss and wondering how to be like them. Girls. Girls My Age. The ones who could talk together without creating awkward silences around them; they went to town in groups and got good science grades despite laughing through class and the boys liked them. They didn’t embarrass their families by getting caught naked in the open-air community swimming pool after breaking in to feel the water against their limbs in ripples of living silk. They didn’t sleep in their clothes. Or see ghosts.

I know, things were different for me even beyond the realms of alternative then. Lying on scratchy hospital linen, I wondered how I’d got there. I knew girls in baggy grunge shirts and thick kohl eyeliner, who streaked their hair pillarbox red and wore their outcast status like medals. They were spat on too, sometimes, but they were never in the bed next to mine. Perhaps they hid their Otherness better, or kept their scars from stumbling through womanhood’s bramble patch a secret underneath their long sleeves. I never hurt myself like that, in descending ladders of shiny white tissue; but I saw the world in wild paint and heard music in empty rooms, and spent too many hours in an obscure and mystical world of my own. I tasted the fresh trails of other lives and infinite possibility on the air the same way you know the season is changing; when the sweet breath of spring exhales itself into the world, or a frost yet to fall on orange leaves flicks out an icy tail in premonition. I worshiped the world too strongly, saw it without veils.

Back then, you didn’t talk about it. You took your pills and were mute as a novice under new and silent vows. It would upset your family, damage your chances, if anyone knew you weren’t a real girl. You took step after blind step through the thicket, heart and eyes held out in your hands for wicked queens to eat. There was no space for wild girls. When your ears pricked up, you flattened them down before anyone could see and cry wolf. When a rogue feather sprung out through a papercut, you apologised, smoothed it back down with handfuls of spilled oil, and brushed the fledgling stars firmly out of your hair.

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Now I see them in colourful crowds or unapologetically alone. On the bus, online; packs of wild girls, with watercolour hair and winged dreams. The world blinked while I was away, busy being an aura floating in drugged isolation; it had code pumped straight into its veins that changed its digital DNA forever. In just five, seven, ten years; the lungs of the globe expanded and suddenly all those girls like me could breathe easier too. I see them striding purposefully through the tube station, across the road, with sleek fur and smiling lips, hips that demand space to swivel, teeth out and dipped in ink, and know they are bolder than I could ever be. Whether they live with or without a diagnosis, minds clear or clouded, they live.

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It feels too late for me.

I know – it sounds so defeated, so self-pitying – but I have years of this enforced solitude and doctor’s orders like bleached cotton bandages wrapped around my head, and don’t know if my skin could take this new sun after all. I feel too old to join the pack. I’m just a handful of years ahead of this tidal wave of new women tumbling sand and sea glass into something more refined, but what a difference those years have made. Or perhaps it’s the toffee time effect of all those waiting rooms blurring into one another; perhaps I’ve sat behind so much shatter-proof glass it’s simply grown around me.

Now there is space for wild girls. They tap destinations into online journey planners with foxes’ claws. When they get papercuts and a hawk’s feather springs out, they laugh, and test its strength against the wind. I hope you soar as high and far as you wish, now that the sky is open.